THE COLONY

Emelie is burned out from her life as a journalist in the city. Unable to leave the house for a time, she eventually drives to the country and begins camping, nature soothing her fractured state. Out in the woods, she notices an odd group of people who seem to live there. After she has a run-in with Låke, a teenager who’s the youngest in the group, they begin an odd sort of friendship, and she finds herself being drawn into the fold. Each of the seven colony members is escaping from something in the outside world and each has a story that drives them, from Sara, the queen bee, to Aagny, who has trouble rejoining society after a stint in prison, and Sagne, Låke’s mother, whose lack of interest in humanity only increases after she’s assaulted. But with a new person joining them for the first time in years, the cracks begin to show; Emelie’s questions and observations poke at insecurities that have been slowly forming in the fabric of their society since it was created. Norlin has a real sense for both character and worldbuilding, each member of the colony incredibly distinct and fleshed out, their reasons for escaping from the world intriguing and clear. The novel jumps among time periods and points of view, with each member’s voice becoming familiar, their personality more developed. The parts told from the perspective of Låke, who’s been raised in the colony without ever going to school, are especially evocative. Norlin’s writing (as translated by Olsson) is clever and incisive, poking fun at modern society and the woodland community in equal measure. The colony’s strengths are great but so are its weaknesses. Ultimately, this is a treatise on humanity, on the things people need and the power and frailty of human connection. This is a novel that will stick with you.

Mar 25, 2025 - 07:42

Emelie is burned out from her life as a journalist in the city. Unable to leave the house for a time, she eventually drives to the country and begins camping, nature soothing her fractured state. Out in the woods, she notices an odd group of people who seem to live there. After she has a run-in with Låke, a teenager who’s the youngest in the group, they begin an odd sort of friendship, and she finds herself being drawn into the fold. Each of the seven colony members is escaping from something in the outside world and each has a story that drives them, from Sara, the queen bee, to Aagny, who has trouble rejoining society after a stint in prison, and Sagne, Låke’s mother, whose lack of interest in humanity only increases after she’s assaulted. But with a new person joining them for the first time in years, the cracks begin to show; Emelie’s questions and observations poke at insecurities that have been slowly forming in the fabric of their society since it was created. Norlin has a real sense for both character and worldbuilding, each member of the colony incredibly distinct and fleshed out, their reasons for escaping from the world intriguing and clear. The novel jumps among time periods and points of view, with each member’s voice becoming familiar, their personality more developed. The parts told from the perspective of Låke, who’s been raised in the colony without ever going to school, are especially evocative. Norlin’s writing (as translated by Olsson) is clever and incisive, poking fun at modern society and the woodland community in equal measure. The colony’s strengths are great but so are its weaknesses. Ultimately, this is a treatise on humanity, on the things people need and the power and frailty of human connection. This is a novel that will stick with you.