FREAKSLAW
The Freakslaw rolls into Pitlaw one afternoon, showcasing its collection of misfits and weirdos to the town’s conservative (and repressed) residents. The group sets up shop in an old abandoned field and gets to work setting up tents. The locals say there’s no way they’ll attend, but as the freaks make their way into town, the residents’ curiosity is heightened, and some find themselves drawn in when the show finally opens. But there is fury in the soil in Pitlaw, a deep-seated rage passed down through the centuries that doesn’t like its town being messed with. The show’s stop in Pitlaw will change the townspeople forever, but the question is whether it will be for good or ill. Flett has created an incredibly physical world full of magic and consequences. There’s a character list at the beginning of the novel and, indeed, there are almost too many people to keep track of, between the various denizens of both the carnival and the town. While the most important ones stand out—Nancy, the young witch of the carnival; Zed, the free-spirited waltzer boy; Ruth, the no-nonsense teen determined to get out of Pitlaw; Derek, the quiet boy stuck under his father’s thumb—there are so many that it becomes hard to keep track of them as the chapters dance back and forth between the magical misfits and the staid townsfolk. The action paces ever onward to an ultimate conflagration, and the writing is visceral. There are no details left to the imagination, all the blood and guts, hate and joy on full display. The Freakslaw is a place for outcasts to find their voices, and Flett has certainly displayed hers as she welcomes readers to her powerful imagination.


The Freakslaw rolls into Pitlaw one afternoon, showcasing its collection of misfits and weirdos to the town’s conservative (and repressed) residents. The group sets up shop in an old abandoned field and gets to work setting up tents. The locals say there’s no way they’ll attend, but as the freaks make their way into town, the residents’ curiosity is heightened, and some find themselves drawn in when the show finally opens. But there is fury in the soil in Pitlaw, a deep-seated rage passed down through the centuries that doesn’t like its town being messed with. The show’s stop in Pitlaw will change the townspeople forever, but the question is whether it will be for good or ill. Flett has created an incredibly physical world full of magic and consequences. There’s a character list at the beginning of the novel and, indeed, there are almost too many people to keep track of, between the various denizens of both the carnival and the town. While the most important ones stand out—Nancy, the young witch of the carnival; Zed, the free-spirited waltzer boy; Ruth, the no-nonsense teen determined to get out of Pitlaw; Derek, the quiet boy stuck under his father’s thumb—there are so many that it becomes hard to keep track of them as the chapters dance back and forth between the magical misfits and the staid townsfolk. The action paces ever onward to an ultimate conflagration, and the writing is visceral. There are no details left to the imagination, all the blood and guts, hate and joy on full display. The Freakslaw is a place for outcasts to find their voices, and Flett has certainly displayed hers as she welcomes readers to her powerful imagination.