SOMETHING IN THE WALLS

Six years after the death of her brother, Eddie, Mina Ellis is still haunted by memories that have been mercifully ameliorated by her attendance at a bereavement support group. There she meets empathetic journalist Sam Hunter, who hires her to do background research on a story he’s covering for the Western Herald. Though she’s professionally inexperienced, Mina has recently gotten her degree in psychology. Since she’s also feeling secretly uncertain about her upcoming marriage to the brusque Oscar, the assignment, which sends her to the bucolic parish of Banathel, provides a welcome getaway. The subject is Alice Webber, a bedridden teenager who believes she’s possessed by a witch. Parents Lisa and Paul are warmly supportive, but siblings Tamsin and Billy are frustrated and skeptical. The womblike aura of the household makes Mina homesick. Her arrival disturbs the parish, which has a long history of sorcery-related tragedy (think The Wicker Man), and a clutch of citizens visits the Webbers to demand that she leave. Shortly after Mina becomes convinced that Alice’s malady is psychological, the arrival of Alice’s nemesis, Vicky Matherson, triggers a horrific incident that shocks everyone. Pearce’s first-person narrative compellingly captures Mina’s mental fragility, the swirling anxiety simmering beneath even her most mundane human interactions and intensified by the heatwave that’s gripping Britain, marked by brown grass that’s a metaphor for her dark psyche. Can Mina trust her own analyses?

Feb 25, 2025 - 07:16

Six years after the death of her brother, Eddie, Mina Ellis is still haunted by memories that have been mercifully ameliorated by her attendance at a bereavement support group. There she meets empathetic journalist Sam Hunter, who hires her to do background research on a story he’s covering for the Western Herald. Though she’s professionally inexperienced, Mina has recently gotten her degree in psychology. Since she’s also feeling secretly uncertain about her upcoming marriage to the brusque Oscar, the assignment, which sends her to the bucolic parish of Banathel, provides a welcome getaway. The subject is Alice Webber, a bedridden teenager who believes she’s possessed by a witch. Parents Lisa and Paul are warmly supportive, but siblings Tamsin and Billy are frustrated and skeptical. The womblike aura of the household makes Mina homesick. Her arrival disturbs the parish, which has a long history of sorcery-related tragedy (think The Wicker Man), and a clutch of citizens visits the Webbers to demand that she leave. Shortly after Mina becomes convinced that Alice’s malady is psychological, the arrival of Alice’s nemesis, Vicky Matherson, triggers a horrific incident that shocks everyone. Pearce’s first-person narrative compellingly captures Mina’s mental fragility, the swirling anxiety simmering beneath even her most mundane human interactions and intensified by the heatwave that’s gripping Britain, marked by brown grass that’s a metaphor for her dark psyche. Can Mina trust her own analyses?