ICE CREAM FOR LUNCH

The book opens with a scene of a newborn daughter, Eleanor, on a mother’s chest, with the grandparent speaker experiencing sympathy twinges in her own womb (“Grandmothers”). Another poem prays for infants in their “sheltering globes” in an intensive care unit, where “my first grandchild” was treated (“Neonatal ICU Prayer”). In “Alternate Reality,” set at Christmastime, a 2-year-old granddaughter, Evelyn, misidentifies a sanitation worker as Santa Claus while on a wintry walk. During the Covid-19 pandemic, a speaker struggles to connect with her granddaughter over a video call and longs for in-person outings (“Grandparenting in the Time of Covid-19”). Foley shares other snapshots of life as a grandmother, from nature walks to quirky conversations to meals with grandchildren. Poems marvel at grandchildren’s wisdom; in “On the Eve of June,” when a dog dies, a granddaughter tells the speaker that the pup “has just gone home— / her old one.” Foley concludes with a fantasy of leaving the “uncivil world” behind to lead a more serene life, devoted to raising grandkids and appreciating the beauty of nature with them (“Holiness”). Overall, Foley’s poems are concise and sincere. She acutely captures youngsters’ silly speech, and the works effectively evoke the speakers’ surroundings; a pushy midwife at a granddaughter’s birth, she writes, “herds us like livestock / back to our holding pen, / to lap stale coffee” (“Grandmothers”). Some readers may find the collection’s depiction of grandparenthood to be somewhat idealized, as it glosses over many of the role’s emotional and physical challenges. However, the poet repeatedly transforms quotidian moments into soulful meditations; for example, upon spotting a granddaughter’s parents greeting the toddler from a window, a speaker tells readers, “Imagine / seeing your reason for being, / framed, like a photograph, / waving and smiling at you” (“Imagine”).

Feb 9, 2025 - 21:54
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ICE CREAM FOR LUNCH
Book Cover

The book opens with a scene of a newborn daughter, Eleanor, on a mother’s chest, with the grandparent speaker experiencing sympathy twinges in her own womb (“Grandmothers”). Another poem prays for infants in their “sheltering globes” in an intensive care unit, where “my first grandchild” was treated (“Neonatal ICU Prayer”). In “Alternate Reality,” set at Christmastime, a 2-year-old granddaughter, Evelyn, misidentifies a sanitation worker as Santa Claus while on a wintry walk. During the Covid-19 pandemic, a speaker struggles to connect with her granddaughter over a video call and longs for in-person outings (“Grandparenting in the Time of Covid-19”). Foley shares other snapshots of life as a grandmother, from nature walks to quirky conversations to meals with grandchildren. Poems marvel at grandchildren’s wisdom; in “On the Eve of June,” when a dog dies, a granddaughter tells the speaker that the pup “has just gone home— / her old one.” Foley concludes with a fantasy of leaving the “uncivil world” behind to lead a more serene life, devoted to raising grandkids and appreciating the beauty of nature with them (“Holiness”). Overall, Foley’s poems are concise and sincere. She acutely captures youngsters’ silly speech, and the works effectively evoke the speakers’ surroundings; a pushy midwife at a granddaughter’s birth, she writes, “herds us like livestock / back to our holding pen, / to lap stale coffee” (“Grandmothers”). Some readers may find the collection’s depiction of grandparenthood to be somewhat idealized, as it glosses over many of the role’s emotional and physical challenges. However, the poet repeatedly transforms quotidian moments into soulful meditations; for example, upon spotting a granddaughter’s parents greeting the toddler from a window, a speaker tells readers, “Imagine / seeing your reason for being, / framed, like a photograph, / waving and smiling at you” (“Imagine”).