A VAISAKHI TO REMEMBER

The unnamed child, who narrates, loved the harvest festival; it was an opportunity to dance, feast, exchange stories, and bond with relatives. But the family’s new home feels worlds away from their old one: “No green fields. No pet goats. No Nani’s breakfast paronthas.” (Though the author doesn’t state where they’ve moved to, images of cardinals and Canada geese suggest a North American setting.) As the holiday approaches, the youngster wonders: “How will we celebrate here in our new home?” To the protagonist’s surprise, the local gurdwara, or Sikh place of worship, hosts a Vaisakhi celebration featuring music and foods that echo the youngster’s memories of home. Things aren’t exactly the same; the child longs for Punjab, with its “fields filled with yellow flowers,” and the aloo paronthas at the gurdwara are “delicious but not as good as Nani’s.” Still, the youngster feels hopeful about a new life full of joy and laughter. This tender story encapsulates the conflicting emotions that often accompany a move; Singh encourages readers to embrace change while acknowledging the inevitable feelings of grief. Though the hectic illustrations sometimes make it difficult to discern details, they capture the loving chaos of the protagonist’s old and new lives.

Mar 18, 2025 - 07:35

The unnamed child, who narrates, loved the harvest festival; it was an opportunity to dance, feast, exchange stories, and bond with relatives. But the family’s new home feels worlds away from their old one: “No green fields. No pet goats. No Nani’s breakfast paronthas.” (Though the author doesn’t state where they’ve moved to, images of cardinals and Canada geese suggest a North American setting.) As the holiday approaches, the youngster wonders: “How will we celebrate here in our new home?” To the protagonist’s surprise, the local gurdwara, or Sikh place of worship, hosts a Vaisakhi celebration featuring music and foods that echo the youngster’s memories of home. Things aren’t exactly the same; the child longs for Punjab, with its “fields filled with yellow flowers,” and the aloo paronthas at the gurdwara are “delicious but not as good as Nani’s.” Still, the youngster feels hopeful about a new life full of joy and laughter. This tender story encapsulates the conflicting emotions that often accompany a move; Singh encourages readers to embrace change while acknowledging the inevitable feelings of grief. Though the hectic illustrations sometimes make it difficult to discern details, they capture the loving chaos of the protagonist’s old and new lives.